Skip to main content

Animated Cinderella Ballgown, part 1

  

    The design for my gown was inspired by both the 1950 original animated film and the 2015 live action film. But mostly, the original gown. Plus a little dash of my own style, especially in the sleeves. I rarely like how her sleeves are done in the Disney Parks. Especially her previous look. Please see below. I'm sorry, but no thanks. This is not a look. (Photo found on Google for reference) The actress and the wig are gorgeous, don't get me wrong.

    I have always loved Cinderella's strawberry blonde hair in the original movie. I liked that her hair color is unique among the Princesses. But in the Parks and on all the merchandise, she has very light yellow-blonde hair. Not the same at all. Now, for this shoot, I didn't have time or the money to buy a brand new wig. I styled a light blonde wig I already owned. I followed a tutorial online for a general idea of how to do an updo. I am not a stylist, and I am not happy with it by any means. but it will have to suffice for now.  In the future, I will absolutely commission a custom wig from a stylist in a movie accurate color. I think a strawberry blonde color would be flattering to my skin tone.


    Similarly, her gown changes color from the movie to the Parks. In the Parks and on merchandise, she is always portrayed in a baby blue dress, with a few silver accents. Which is lovely, but not how it appears in the animated classic. Her ballgown is definitely a silver-blue or even straight up silver, depending on the scene. It changes depending on the lighting. It looks different when she is outside underneath the moon then when she is inside with bright candles everywhere. For my version, I really wanted to stay true to the movie as much as possible. That's not to say I will never make her Parks dress, as it is also pretty, but it isn't a priority right now.

    In an older version of the story, Cinderella plants a tree at the grave of her mother. In her sorrow, she waters it with her tears. every night. Then, the first night of a festival at the palace, she prays for a miracle.  She hears her mother's voice and a silver gown appears and thus she goes to the ball. The second night of the festival, she goes to her mother’s grave again and her mother gives her a gold gown. (If you have seen the movie version of “Into the Woods”, Anna Kendrick as Cinderella wears a gorgeous gold gown. It’s fabulous.)

    It's just such a beautiful thought, her mother still looking after her, even from beyond the grave. So sweet. In a way, I was inspired to make it silver by that version, too. 

    This gown has been in the works for quite some time, but I am very pleased with the final look. I will go into a few more construction details in the next blog post.

Yours in hard work, creativity, and a dash of Pixie Dust


Sarah


Comments

Popular posts from this blog

Reconstructing History RH017

This is review of RH017, 14th Century Kirtle or  Cotehardie. (Link to buy this patten at the end) I ordered it to make a new dress for the 2015 Medieval Fair of Norman. I had been playing a princess for many years, but decided on changing it up this year. I wanted to be a Bard, a poet/singer/general performer. Naturally, I could not wear the Princess gowns of years past.  It came in a timely fashion. I knew it had a booklet of historical notes, I didn't know it was going to come with a textbook! Seriously, this booklet is 15 pages long (including historical notes, bibliography, actual construction, and a section on period stiches) and is in an easy to digest format. The pattern is on regular paper, not the usual tissue paper, which I appreciated. I had trouble with setting the sleeves, but it was my own fault. I made it oversized purposefully to adjust down to my exact size, and didn't quite adjust the sleeves to match correctly the first time. My own fault. I will pos...

1900's Set of Drawers-Unmentionables Through The Decades Project 4

Link to my associated YouTube video The first item I sewed for my 1900's project was a pair of drawers. To be precise, French Drawers. This is made from the Edwardian Undergarments pattern from Truly Victorian. I made the shaped hem version, and that worked well. Essentially, it is two wide, flared legs attached to a waistband. It swishes and flows quite nicely on the body, especially when made in a soft cotton. This year, I am trying to make due with what I have in my stash as much as possible. Since I have no experience in sewing for the Edwardian period and no event to wear such costumes, I didn't buy new fabric. White, very fine linen would have been more historically accurate, but I like colors! And I happened to have a soft green bed sheet set. Parts of it have seen better days, hence it being in the stash and not on the bed. But there was still plenty of good fabric left. There should be enough for the whole set of undergarments. As of this writing, I have fini...

Pirate Belle, part 2

YouTube video associated with this blog The base pieces for this costume are not complicated. I used Simplicity 3677 for the blouse and the pants. The fabric I bought at Joann Fabrics and was exactly what I was hoping to find. It's a light and airy cotton gauze-type fabric. Also, I am in love with the delicate lace I found at Hobby Lobby that I used to trim the wrists. The blouse has elastic bands at the cuffs and a drawstring neckline. It is incredibly over sized, but the fabric gathers under corsets and pants nicely because it was so soft and light. The pants are a tan corduroy and also have elastic in the cuffs. (Did I mention Historical Accuracy TM was not a priority for this costume?) I still think it's beautiful. And now, for a few accessories. These make or break a costume, especially for a pirate. So many little things must be present for the costume to really say “Pirate”. This little hat was such a blast to create. I used a Yaya Han pattern, McCall's 7643. It ha...